In this body of work, I investigate historic drinking vessels having a base in the form of an animal head - Rhytons and Stirrup Cups. These vessels have rich symbolism, communal practices, and social as well as ceremonial functions. While they show admiration for the animals they represent, they also reveal objectification of these animals. My surface treatment has departed from tradition and reflects on animal individuality, intentionality and agency, as they quietly observe us and the environment we share with them. It acts as a reminder that human creations have much effect on the natural world. With contemporary version of traditional Rhytons and Stirrup Cups, I aim to foster acceptance of non-human animals as our equals.